Age Veeroos

WORKS FOR THE STAGE

Operas

• Grid

  • Pdf

  http://gridoper.blogspot.com/

  Text and direction: Korneel Hamers, scenography: Julia Rommel, video: Julian Bergheim
  Opera
  2011
  soprano, tenor, flute, oboe, saxophone, double bass
  Fp: Celine Hänni (sopran), Andres Köster (tenor), Richard Craig (flute), Riivo Kallasmaa (oboe), Jandra Puusepp (saxophone), Tammo Sumera (sound engineer), Roomet Jakapi (Sprechstimme), Taavi Kull (conductor); April 21, 2011, Kesselhaud, Berlin
  Distributor: EMIC AV 004
  
• Fire Enchanter [Tuleloitsija]

  • Pdf

  Listen: Soundcloud

  short opera in three scenes
  2008
  30'
  12 soloists, flute, oboe, clarinet, violin, viola, double bass, percussion
  Libretto: Age Hirv after Agust Gailit's short story
  Fp: Geraldine Casanova, Tui Hirv, Kristel Jõesaar, Siiri Koel, Sirje Vasmann, Helen Nairismägi, Ülle Pootsmaa, Ivo Onton, Aivar Kaseste, Aare Kodasma, Jie Bai, Xiacoon Su, Ensemble of Estonian Academy of Music and Theatre, conductor Risto Joost; May 5, 2008, Kanuti Guild Hall, Tallinn
  Commissioned by: Estonian Academy of Music and Theatre
  Distributor: EMIC AV 008
  Manuscript

WORKS FOR ORCHESTRA

Works for symphony orchestra

• Skein of Thought [Mõttelõng]

  • Audio

  • Skein of Thought / Estonian National Symphony Orchestra, conductor Risto Joost

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  “Skein of Thought”
  
  I got the idea for this orchestra piece from a book by Nicholas Carr, “What the Internet is Doing to Our Brains”. It left a very strong impression on me… The author describes how human thought has been shaped through the centuries by “tools of the mind” – from the alphabet to maps, to the printing press, the clock, and the Internet these days. My piece was supposed to become a ‘scriptura continua’, a practice of writing without spaces between words, letters sitting next to each other without interword spacing and without the distractions of punctuation or upper and lower case letters. Later on this idea got a bit twisted: all of a sudden it was much more exciting to imagine the conscious of a person trying to decipher this kind of text… or rather explore the complexity of the human mind, and the simplicity at the same time, the reflective thinking of an adult or the immediate thinking of an infant. Perhaps the piece will give a hint of the original and the ancient, the totally non-linear thinking since before the maps, the clock and the printing press.
  
  Age Veeroos (from the booklet of the Estonian Music Days 2018)

  2018
  8'
  symphony orchestra: 3333, 4331, 1+3, harp, celesta, strings
  Fp: Estonian National Symphony orchestra, conductor Risto Joost; April 13, 2018, Estonia Concert Hall, Tallinn, Estonian Music Days Festival
  Commissioned by: Estonian Music Days Festival
  

WORKS FOR SOLO INSTRUMENT(S) AND ORCHESTRA

• Echo [Kaja]

  2004
  7´
  2 oboes, 2 bongos, 2 violins, oud, string orchestra
  

Works for oboe and orchestra

• Wind [Tuul]

  • Audio

  • Wind / Ingely Laiv (oboe), Tallinn Chamber Orchestra, conductor Risto Joost

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  2008
  oboe, string orchestra
  Fp: Ingely Laiv (oboe), Tallinn Chamber Orchestra, conductor Risto Joost; January 29, 2009, Tallinn Blackheads’ Brotherhood House
  Commissioned by: Tallinn Music High School
  CD "... kuidas noored muusikud avastasid uut eesti muusikat, vol. 1", Eesti Raadio, Tallinna Muusikakeskkool (2014); Ingely Laiv (oboe), Tallinn Chamber Orchestra, conductor Mikk Murdvee
  

Works for other instrument and orchestra

• Life of a Stone [Ühe kivi elu]

  • Audio

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  The shape of a stone came to life for me once when I was reading a poem by Rilke – the inner calm and silence of a stone is a state that a person could learn from. As the basis, I chose the transformation of the rock of the earth crust – from a hot and dense yet liquid mass into solid stone – and gave it a human value… The story of how stone became “who” it is. The harpsichord embodies the self-consciousness of the stone, which rears its head from the impersonal chaos, looking for a perfect form, fighting against petrification (death) while yearning for it at the same time.
  
  Age Hirv  

  2004
  11'
  harpsichord, string orchestra
  Fp: Petteri Pitko (harpsichord), Tallinn Chamber Orchestra, conductor Risto Joost; April 18, 2004, Tallinn Methodist Church, Estonian Music Days Festival
  Commissioned by: Estonian Music Days Festival
  CD "Estonian Composers (IV). Risto Joost", Estonian Public Broadcasting (2010); Virgo Veldi (saxophone), Ene Nael (portative organ), Risto Joost (counter-tenor), Jaan Varts (electric guitar), Estonian National Symphony Orchestra, Monika Mattiesen (flute), Petteri Pitko (harpsichord), Tallinn Chamber Orchestra, Vox Clamantis, artistic director Jaan-Eik Tulve, conductor Risto Joost
  Manuscript

WORKS FOR ENSEMBLE

Duos

• Fantasia "A Threadbare Chant" [Fantaasia "Kulunud koraal"]

  Listen: Soundcloud

  2021
  15'
  bass flute, analog synthesizer
  Fp: Maria Jönsson (bass flute), Age Veeroos (Korg Minilogue); March 8, 2022, Heino Eller Music School, Tubin Hall
  
• Doppelgänger

  • Pdf

  2012
  2 harspichords
  Fp: Kristiina Are and Ene Nael; July 26, 2012, "Paolo Toschi" Art Accademy, Parma, Italy, Third International Contemporary Harpsichord Festival "Procembalo 2012"
  Distributor: EMIC AV 003
  
• Sanguine [Sanguine]

  • Audio

  • Sanguine / Ivo Lille (saxophone), Jorma Toots (piano)

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  Age Hirv:
  
  The Latin title Sanguine tries to put the equal sign between musical work and pulsating living organism.

  2005
  8'
  soprano saxophone, piano
  Fp: Ivo Lille (soprano saxophone), Jorma Toots (piano); April 11, 2005, Estonian Academy of Music, Estonian Music Days Festival
  Commissioned by: Estonian Music Days Festival
  

Trios

• Chills [Külmking]

  • Audio
  • Video

  • Chills / Ensemble Una Corda

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  2019
  6'
  kannel, harp, harpsichord
  Fp: Ensemble Una Corda; February 10, 2019, Kadriorg Palace, Tallinn
  

String quartets

• Whisperer [Lausuja]

  • Video

  Whisperer
  
  With regard to the timbral opportunities of bowed instruments, I have tried to convey the uttering of sounds, muttering, whistling, whispers and groans, which all together form an incessant meaningless tittle-tattle. When composing, I listened to and analysed many timbres, more and less resonant sounds. At the same time, this composition also aims to make string instruments sing in their characteristic way.
  
  Age Veeroos
  (Program note from the program of Estonian Music Days 2021)

  2021
  7'
  string quartet
  Fp: Sinfonietta Rīga String Quartet; April 27, 2021, online from Riga, National Library of Latvia, Estonian Music Days & Baltic Music Days
  
• Drouth [Põud]

  • Audio
  • Pdf

  • Drouth / Ida Lorenzen (violin), Maj Kullberg (violin), Michel Camille (viola), Frederik Waage (cello)

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  2005
  4'
  string quartet
  Fp: Arditti Quartet; July 20, 2005, Salle d´Esplanade, Arsenal, Metz
  Distributor: EMIC AV 005
  Manuscript

Quintets

• Outlines of the Night

  • Audio

  • Outlines of the Night / Ensemble for New Music Tallinn, conductor Arash Yazdani

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  Outlines of the Night
  
  Age Veeroos: “To get below the surface of the night, you need to take a closer look. Then again, I don’t know if I’d want to see everything it hides. Maybe it’s better to think of it as something pleasant. There is a certain mystery to it: its proximity heightens the senses and excites. Farther afield, an inexplicable darkness lurks in the shadows, both appealing and terrifying. Surely there is also a wonderful light out there somewhere.”

  2023
  9'
  flute/bass flute, clarinet, violin, viola, double bass
  Fp: Ensemble for New Music Tallinn, conductor Arash Yazdani; April 26, 2023, Tallinn Creative Hub, Estonian Music Days
  Commissioned by: Estonian Music Days
  
• Dolor

  2003
  6'
  flute, clarinet, percussion, piano, cello
  Fp: NYYD Ensemble; October 3, 2003, Autumn Festival of the Estonian Academy of Music
  

Sextets

• Point of View [Vaatenurk]

  • Audio

  • Point of View / Ensemble U:

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  Point of View
  
  Age Veeroos: “This piece focuses on a single theme examined from the perspective of the individual and the group. Individually (solo), the vision is presented in a straightforward and clear way, sometimes with excessive enthusiasm. In a group (ensemble), flexibility and working towards a common goal are more important. However, because individualism is deeply ingrained in us, holding common goals in sight is not always easy and the focus can become blurred. Point of View consists of six solos and one ensemble section. It can be heard interactively at https://uuu.ee/player/pointofview/ by choosing the solo at the beginning of the piece and answering a question after the first part.”

  2022
  10'
  flute, clarinet, violin, cello, percussion, piano
  Fp: Ensemble U:; December 29, 2022, Tallinn, House of the Blackheads, Basement Hall
  
• Hemera

  2015
  flute, clarinet, violin, cello, percussion, piano
  Fp: Ensemble U:; May 28, 2015, Tartu St. John's Church, Estonian Composers' Festival
  
• Fragmentized Room [Killustatud ruum]

  • Audio

  • Fragmentized Room / Ensemble U:

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  “Fragmentized Room” was written for Ensemble U:. The impulse came from the physical phenomenon of dispersion – how compound light is refracted into individual rays.
  
  Age Hirv

  2007
  flute, clarinet, violin, cello, piano, percussion
  Fp: Ensemble U:; October 14, 2007, Kanuti Guild Hall, Tallinn, festival "Nyyd"
  Manuscript

Works for large ensemble (8+)

• Ich sehe Federn wachsen im Sand der Wüsten…

  2021/2022
  8'
  clarinet, trumpet, tuba, percussion (1 player), piano, violin, viola, cello
  Fp: Ensemble Musikfabrik, conductor Clement Power; October 23, 2021, Noblessner Foundry, Tallinn, International Contemporary Music Festival AFEKT
  
• Aither

  • Audio

  • Aither / Ensemble Sepia

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  The title Aither refers to ancient Greek mythology: Aither (air) was born to Nyx (night) and Erebos (darkness), who were the descendants of Chaos. Aither embodies the pure air of higher layers that the gods breathe, also the firmament and light. The piece examines the sphere of „upper air“ in its sparsity, brightness, distance or proximity.
  
  Age Veeroos

  2015
  8'
  flute, trombone, piano, percussion, 2 violins, cello, double bass
  Fp: Ensemble Sepia; April 11, 2015, Tallinn Secondary Science School
  
• Quietude with Empty Swing [Vaikelu tühja kiigega]

  2014
  flute, French horn, trumpet, percussion, piano, violin, viola, cello, live electronics
  Fp: Leonora Palu (flute), Vigo Uusmäe (French horn), Aarne Ots (trumpet), Vambola Krigul (percussion), Age Juurikas (piano), Kaija Lukas (violin), Andres Kaljuste (viola), Kristjan Plink (cello), Tammo Sumera (electronics), conductor Andrus Kallastu; June 7, 2014, Tartu St. John's Church, Estonian Composers' Festival
  
• Prelude for the song “Die Nebensonnen” (from the song cycle “Winterreise” by Franz Schubert)

  2005
  2´
  flute, oboe, clarinet, bassoon, percussion, 2 violins, viola, cello, double bass
  Fp: Leipziger Sinfonietta, conductor Johannes Harneit; May 27, 2005, Berlin Philharmony Hall
  Commissioned by: Kulturjahr der Zehn
  
• Relief [Reljeef]

  2002
  8'
  flute, oboe, clarinet, bassoon, 2 violins, viola, cello
  Fp: NYYD Ensemble, conductor Olari Elts; October 13, 2002, Autumn Festival of the Estonian Academy of Music
  

WORKS FOR SOLO INSTRUMENT

Works for clarinet

• Keha

  2023
  14'
  bass clarinet
  

Works for bassoon

• Amphora

  2015
  bassoon
  Fp: Peeter Sarapuu (bassoon); October 29, 2015, Tallinn, The Great Guild Hall
  

Works for saxophone

• Threnody [Itk]

  2002
  4´
  soprano saxophone
  Fp: Ivo Lille (soprano saxophone); March 23, 2002, Estonian National Opera´s Winter Garden
  

Works for percussion

• I Am the Big Moon on Your Horizon [Ma olen suur kuu su silmapiiril]

  2020
  9'
  percussion
  Fp: Heigo Rosin (percussion); September 11, 2020, Heino Eller Music School, Tubin Hall, Tartu Chamber Music Festival
  

Works for violin

• Vignette [Vinjett]

  • Audio

  • Vignette / Harry Traksmann

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  Age Hirv:
  
  Technique of violin playing is like drawing – the bow drags innumerable amount of lines on the strings. Is the created picture a mere tangle of lines or an abstract graphic image…

  2003
  6´
  violin
  Fp: Harry Traksmann (violin); April 7, 2004, Estonian Academy of Music, Estonian Music Days Festival
  Commissioned by: Estonian Music Days Festival
  

Works for piano

• Imaginäre Sonate, Op. 53

  2019
  3'
  piano
  Fp: Susanne Kessel (piano); January 30, 2020, Beethoven-Gymnasium, Bonn, Germany
  Commissioned by: Susanne Kessel for the project "250 piano pieces for Beethoven"
  
• Horizon [Silmapiir]

  • Pdf
  • Video

  2010
  3'
  piano
  Fp: November 26, 2010; Tallinn Music High School, Robert Schumann Competition for Young Pianists
  Distributor: EMIC AV 006
  
• Sul tasto

  • Audio

  • Sul tasto / Mihkel Poll (piano)

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  2008
  10'
  piano
  Fp: Mihkel Poll (piano); April 6, 2008, Tallinn Town Hall, Estonian Music Days Festival
  Commissioned by: Estonian Music Days Festival
  Manuscript

Works for organ

• Fragment

  2009
  organ
  Fp: Jan Lehtola; April 19, 2009, Tallinn St. Nicholas's Church, Estonian Music Days Festival 2009
  Commissioned by: Estonian Music Days Festival 2009
  

VOCAL AND CHORAL MUSIC

Works for mixed choir and orchestra

• Psalmodia [Psalmodia]

  2002
  12´
  soprano, mixed choir, symphony orchestra: 2222, 2220, percussion, harp, strings
  Text: psalmid (saksa keeles)
  Fp: Monika Mauch (soprano), University of Tübingen choir and orchestra, conductor Tobias Hillier; July 5, 2002, University of Tübingen, 525th anniversary of University of Tübingen
  Commissioned by: University of Tübingen
  

Works for voice(s) and piano

• There Are No Dreams [Ei ole ulmi]

  • Pdf

  2013
  soprano, piano
  Text: Ilmar Laaban
  Fp: Kai Kallastu (soprano), Andrus Kallastu (piano); May 11, 2013, Pärnu St. Elizabeth Church
  Distributor: EMIC AV 007
  

Works for voice(s) and other instrument(s)

• Recitative [Retsitatiiv]

  • Audio

  • Recitative / Ensemble Resonabilis

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  “Recitative” is based on the Canadian poet Irving Layton’s poem “If I Lie Still”. The work can be considered a declamation of the lyric of this poem in music, but both the words and the music remain true to each other.
  
  Age Hirv        

  2006
  6´
  mezzo-soprano, alto flute, cello, Estonian zither (kannel)
  Text: Irving Layton (in English)
  Fp: Ensemble Resonabilis: Iris Oja (mezzo-soprano), Tarmo Johannes (flute), Aare Tammesalu (cello), Kristi Mühling (kannel); May 11, 2006, KUMU Art Museum, Tallinn
  Commissioned by: Ansambel Resonabilis
  CD "Contemporary chamber and solo music for kannel", Kristi Mühling (2009). Ensemble Resonabilis: Kristi Mühling (kannel), Iris Oja (voice), Tarmo Johannes (flute), Aare Tammesalu (cello)
  
• Trois fragments du temps

  • Audio

  • Trois fragments du temps: Les jours raccourcissent / Ensemble Aleph

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  Age Hirv:
  
  This short cycle observes three sides of time with the help of French poetry. The first (Les jours raccourcissent/Days are getting shorter) focuses on the present moment, the second (Il pleut/It rains) is moving as discontinuous flow freely back and forth in time, creating sight of eternity, the third (Berceuse de la petite servante/Lullaby of a little servant girl) is a picture from the past.

  1. Les jours raccourcissent
  2. Il pleut
  3. Berceuse de la petite servante
  2006
  10'
  soprano, clarinet, violin, cello, percussion, piano
  Text: Jacques Roubaud, Guillaume Apollinaire, Max Jacob (in French)
  Fp: Ensemble Aleph; March 27, 2006, Viljandi Culture Academy, March 28, 2006, Kanuti Guild Hall, Estonian Music Days Festival
  Commissioned by: Ensemble Aleph
  Manuscript
• Chant de nuit

  2003
  3'
  soprano, mezzo-soprano, flute, clarinet, harpsichord
  Text: Jacques Roubaud (in French)
  
• Loss of Oneself [Enesekaotus]

  • Audio

  • Loss of Oneself / Tarmo Johannes (flute), Iris Oja (mezzo-soprano)

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  2002
  6'
  mezzo-soprano, alto flute
  Text: based on poems by Ilmar Laaban (in Estonian)

  Katkendid kogumikust “Oma luulet ja võõrast” Ilmar Laaban Üle päeva peatunud jõe öö laguva kiviaia tagant läbi talve higirätiku keset luist suve mustavad su ripsmed, pajud mu valu niidul. Sulgeda rimp sinitaeva ees su naba paemurru põhjas suitseb ja häälitseb täringu tahkudelt peegeldub laas laas nagu roostes võti laas kus rahe kõneleb tõtt laas palavikus kätega. Ma tõstan umbrohtund põllu välja horisondi silmusest sõnadega tähitud laotusele näen linnusulgi kasvamas kõrbede liivas meresid naeratamas vulkaane nutmas loomi tantsimas jahedate välkude all ümber tuulikute igaviku. Luust võtmega avan ma ukse näen saalitäis tuld kerget hõredat nagu õhk ma lukustan ukse torkan luu tagasi lihha ja jälle hargneb sumiseb jalgradadelt ämblikuvõrk mille keskel ma seisan tumm hing hämar ja hingan sädemete praksudes suitsuses hingelõõris. Ma ütlin uks on liiga kitsas jääme parem edasi tuppa ja laseme ainult tuult läbi ukseava sahinana toob tuul hooti armastuse trummipõrinat toob tuul üle päeva peatunud jõe toob tuul öö laguva kiviaia tagant toob tuul läbi talve higirätiku toob tuul keset luist suve toob tuul. Ma seisan, ma seisan, ma seisan ja hajun laiali, laiali üle toa keset oma vaikuse kaost. Ma seisan ja otsin seinapragudest su näojooni, seinapragudest su näojooni. Kaua vaatasin nõnda, luust võtmega avan ma ukse näen saalitäis tuld kerget hõredat nagu õhk ma lukustan ukse torkan luu tagasi lihha ja jälle hargneb sumiseb jalgradadelt ämblikuvõrk mille keskel ma seisan tumm ning hämar ja hingan sädemete praksudes suitsuses hingelõõris. Kaua vaatasin nõnda, kuni kaotasin enda.

  Over the day’s halted river behind the night’s decaying stone wall through the winter’s sweat cloth in the middle of the bony summer your eyelashes blacken: the willows in the meadow of my pain. To draw the curtains over the blue sky your navel at the bottom of a limestone quarry is smoking and making noises the facets of a die reflect the woods woods like a rusty key woods where the hail speaks the truth woods with feverish hands. I raise the weed-grown field out of the horizon’s loop up to the skies patterned with words I see feathers grow in the sands of deserts I see seas smile volcanoes weep animals dance under the cool lightnings around the windmill’s eternity. With a bone key I open the door to see a hall full of fire light sparse as the air I lock the door stick the bone back to the flesh a nd again, from the paths would unravel and hum away the cobweb in the middle of which I am standing dumb and dim and breathing as the sparks are cracking in my smoky windpipe. I said the door was too narrow we’d better stay inside and let just the wind pass the doorway as a rustle the wind would bring in a times some drumbeats of love the wind would bring over the day’s halted river the wind would bring behind the night’s decaying stone wall the wind would bring through the winter’s sweat cloth the wind would bring in the middle of the bony summer the wind would bring. I stand, I stand, I stand and I scatter, scatter all over the room, in the chaos of my silence. I stand and I search for your features in the cracks of the wall, for your features in the cracks of the wall. For long I was standing like that, with a bone key I open the door to see a hall full of fire light sparse as the air I lock the door stick the bone back to the flesh and again, from the paths would unravel and hum away the cobweb in the middle of which I am standing dumb and dim and breathing as the sparks are cracking in my smoky windpipe. For long I was staring like that, until I lost myself Translation Maarja Kangro (from the booklet of Festival Afekt 2018)

   

  
  Fp: Iris Oja (mezzo-soprano), Tarmo Johannes (alto flute); October 13, 2002, Autumn Festival of the Estonian Academy of Music
  Manuscript

Works for mixed choir a cappella

• Solitude

  2014
  7'
  mixed choir
  Text: Irving Layton (poem "If I lie still")
  
• There Are No Dreams [Ei ole ulmi]

  • Audio
  • Pdf

  • There Are No Dreams / Collegium Musicale, conductor Endrik Üksvärav

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  2013
  4'
  mixed choir
  Text: Ilmar Laaban
  Fp: Chamber choir Collegium Musicale, conductor Endrik Üksvärav; March 31, 2013, Tallinn House of Brotherhood of Black Heads
  Commissioned by: Estonian Choral Association, Estonian Composers' Union
  CD "New Estonian Choral Music 2013", Estonian Choral Association (2013); Chamber Choir Collegium Musicale, conductor Endrik Üksvärav
  Publisher: Estonian Music Foundation
  Distributor: EMIC EMF 013
  
• Detail

  • Audio

  • Detail / Estonian Philharmonic Chamber Choir, conductor Paul Hillier

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  If we look at some detail of some larger whole, we are immediately reminded of the missing whole, in which the detail has its integral place. But then the detail itself becomes a whole in itself, with its own components… Detail studies the origins of voice in breathing.
  
  Age Hirv

  2005
  8'
  mixed choir
  Fp: Estonian Philharmonic Chamber Choir, conductor Paul Hillier; April 10, 2005, Estonia Concert Hall, Estonian Music Days Festival
  Manuscript

ELECTRONIC, ELECTRO-ACOUSTIC AND MULTIMEDIA WORKS

• Schattenseele

  2019
  7'
  violin, electronics
  Fp: George Kentros (violin), Mattias Petersson (electronics); May 4, 2019, Estonian Academy of Arts, World Music Days 2019
  Commissioned by: Estonian Music Days/World Music Days
  
• The Matter [Mateeria]

  2017
  15'
  double bass, electronics
  Fp: Jaanus Siniväli (double bass), Age Veeroos (electronics); October 30, 2017, Tallinn, Vaba Lava, International Contemporary Music Festival Afekt
  
• Boomerang

  2004/2006
  10´
  piano, fixed media
  Fp: Birke Bertelsmeier (piano), Thomas Troge (electronics); June 26, 2006, Karlsruhe Higher Music School
  

MUSIC FOR CHILDREN

Instrumental works for children

• Caprice [Kapriis]

  • Pdf
  • Video

  Caprice
  
  This viola track could be a “memory game” exercise for the instrument player to find repetitive notes in different positions, timbres, dynamics and varying motifs on them.
  
  Age Veeroos
  (Program note from the program of Estonian Music Days 2021)

  piece for young musicians
  2021
  2'
  viola
  Fp: Artūrs Gailis (viola); April 27, 2021, online from Riga, National Library of Latvia, Estonian Music Days & Baltic Music Days
  Distributor: EMIC AV 009
  
• Rainbow [Vikerkaar]

  • Audio
  • Pdf

  • Rainbow / Vladima Jeremjan, Daniil Tištšenko

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  2004
  4´
  piano in four hands
  Fp: Vladima Jeremjan (piano), Daniil Tishtshinko (piano); May 7, 2004, Karksi-Nuia High School, Estonia
  Commissioned by: Estonian Music Information Centre
  CD "For My Little Sister", Tallinn Music High School, EMIC, ERR (2008); Kärt Ruubel, Jaan Ots
  Publisher: Estonian Music Information Centre
  Distributor: EMIC AV 001
  Manuscript
• Three Faces of the Day [Päeva kolm palet]

  • Pdf

  1. Morning
  2. Midday
  3. Twilight
  2000
  piano
  Distributor: EMIC AV 002
  

ORCHESTRATIONS AND ARRANGEMENTS

• Aliide Breaks Down in front of Zara [Aliide murdub Zara ees]

  • Audio

  • Aliide Breaks Down in front of Zara / Heli Veskus (Aliide), Leonora Palu (flute), Diana Liiv (piano), String Quartet Odysseus, Collegium Musicale vocal ensemble, conductor Toomas Vavilov

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  Arrangement of fragment from Jüri Reinvere's opera "Purge" 2nd act
  2015
  6'
  flute, piano, string quartet, vocal ensemble (8 singers)
  Fp: Heli Veskus (Aliide), Leonora Palu (flute), Diana Liiv (piano), String Quartet Odysseus, Collegium Musicale vocal ensemble, conductor Toomas Vavilov; March 2, 2015, Kumu Art Museum, Tallinn
  
• Aliide Shuts Hans's Air Hatches [Aliide sulgeb Hansu õhuluugid]

  • Audio

  • Aliide Shuts Hans's Air Hatches / Heli Veskus (Aliide) and Andres Köster (Hans), Leonora Palu (flute), Diana Liiv (piano), String Quartet Odysseus, Collegium Musicale vocal ensemble, conductor Toomas Vavilov

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  Arrangement of fragment from Jüri Reinvere's opera "Purge" 2nd act
  2015
  8'
  flute, piano, string quartet, vocal ensemble (8 singers)
  Fp: Heli Veskus (Aliide) and Andres Köster (Hans), Leonora Palu (flute), Diana Liiv (piano), String Quartet Odysseus, Collegium Musicale vocal ensemble, conductor Toomas Vavilov; March 2, 2015, Kumu Art Museum, Tallinn
  
• Norilsk, the Daffodils [Norilsk. Taevased nartsissid]

  • Audio

  • Norilsk, the Daffodils (Arrangement of Jüri Reinveres orchestral piece) / Quartet Odyesseus, Maija Kaunismaa (reader), Diana Liiv (piano), Leonora Palu (flute), conductor Toomas Vavilov

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  Arrangement of Jüri Reinvere's orchestral piece
  2015
  12'
  flute, piano, string quartet
  Fp: Leonora Palu (flute), Diana Liiv (piano), String Quartet Odysseus, Maija Kaunismaa (reader), conductor Toomas Vavilov; March 2, 2015, Kumu Art Museum, Tallinn