Marianna Liik

WORKS FOR THE STAGE

Operas

• Frequently Asked Questions [Korduma kippuvad küsimused]

  • Video

  Original title "Commune"
  Opera. Co-author Sander Mölder
  2014
  70'
  vocal soloists, narrator, electronic part, sampler, chamber orchestra; 1011, 1010, percussion (marimba, triangle, drum set), 11111
  Libretto: Andra Teede, excerpts from Tõnu Õnnepalu's poem „Kuidas on elada, kui“
  Fp: Maarja Aalmann, Kaisa Rüütsalu, Liisa Mets, Kaarel Kukk, Egon Laanesoo, Jarmo Reha, chamber orchestra and mixed choir of the Estonian Academy of Music and Theatre, conductor Taavi Kull, stage director Laura Mets, artist Keili Retter, light designer Reelika Palk; May 15, 2014, Telliskivi Creative City, Green Hall
  

WORKS FOR ORCHESTRA

Works for symphony orchestra

• Downstream / Upstream

  2023
  4'
  symphony orchestra: 2222, 4330, percussion (timpani, xylophone, marimba, drum set), strings
  Fp: WDR Funkhausorchester, conductor Erina Yashima; September 8, 2023 Funkhaus Wallrafplatz, Cologne, Germany, September 9, 2023 Telekom Forum, Bonn, Germany, Beethovenfest
  Commissioned by: WDR Funkhausorchester
  
• Kurzschluss

  • Audio
  • Video

  • Kurzschluss / Estonian National Symphony Orchestra, conductor Enno Poppe

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  2019
  13'
  symphony orchestra: 3333, 4331, 5, harp, piano, strings
  Fp: Orchestra of the Lucerne Festival Academy, conductor Ruth Reinhardt; September 1, 2019, KKL Luzern, Concert Hall, Lucerne Festival, Swizerland
  FpEst: Estonian National Symphony Orchestra, conductor Enno Poppe; October 29, 2021, Estonia Concert Hall, International Contemporary Music Festival AFEKT
  Commissioned by: Roche Young Commissions
  
• Motion in Oscillating Fields

  • Audio

  • Motion in Oscillating Fields / Estonian National Symphony Orchestra, Sander Mölder (electornics), conductor Olari Elts

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  Motion in Oscillating Fields
  
  I composed Motion in Oscillating Fields during my master’s studies. This is the first composition where I combined such a large line-up – an orchestra – with electronic sounds. The use of electronics to expand the sound of a traditional orchestra allows me to look for and discover new and versatile timbre combinations. When creating an electronic score, it is important to me that it behaves like a live organism, and its function may be similar to a solo instrument or the intimate sound of a small ensemble. On the other hand, an electronic part may also sound quite massive and orchestral.
  
  Marianna Liik

  2017
  11'
  symphony orchestra: 2222, 4331, percussion, harp, piano, sampler, strings, prepared electronic soundtracks
  Fp: Estonian National Symphony Orchestra, Sander Mölder (electronics), conductor Olari Elts; February 25, 2017, Estonia Concert Hall
  Commissioned by: Estonian National Symphony Orchestra
  CD „New Estonian Orchestral Music“, Estonian Music Information Centre (2021); Estonian National Symphony Orchestra, Sander Mölder (electronics), conductor Olari Elts
  
• Arctic Desert

  • Audio

  • Arctic Desert / Symphony Orchestra of the Estonian Academy of Music and Theatre, conductor Toomas Vavilov

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  Arctic Desert for symphony orchestra (2015) is Marianna Liik’s first orchestral work. To characterise it, she gives hints with figurative synesthetic adjectives: stony, rough, break, melting, flowing, smooth, glaciation, frozen, standstill…

  2015
  9'
  symphony orchestra: 2222, 2231, percussion, strings
  Fp: Estonian Academy of Music and Theatre Symphony Orchestra, conductor Toomas Vavilov; April 8, 2015, Tallinn Methodist Church
  CD „New Estonian Orchestral Music“, Estonian Music Information Centre (2017); Estonian Academy of Music and Theatre Symphony Orchestra, conductor Toomas Vavilov
  

Works for string orchestra

• On Joy and Sorrow

  • Audio

  • On Joy and Sorrow / Tallinn Chamber Orchestra, conductor Andres Kaljuste

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  On Joy and Sorrow
  
  “The title of this composition derives from a text in Kahlil Gibran’s book The Prophet. His writing opened up a new perspective on sadness and joy for me.”
  
  Marianna Liik
  
  Then a woman said, Speak to us of Joy and Sorrow.
  Your joy is your sorrow unmasked.
  And the selfsame well from which your laughter rises was oftentimes filled with your tears.
  And how else can it be?
  The deeper that sorrow carves into your being, the more joy you can contain.
  Is not the cup that holds your wine the very cup that was burned in the potter’s oven?
  And is not the lute that soothes your spirit, the very wood that was hollowed with knives?
  When you are joyous, look deep into your heart and you shall find it is only that which has given you sorrow that is giving you joy.
  When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight.
  Some of you say, “Joy is greater than sorrow,” and others say, “Nay, sorrow is the greater.”
  But I say unto you, they are inseparable.
  Together they come, and when one sits alone with you at your board, remember that the other is asleep upon your bed.
  Verily you are suspended like scales between your sorrow and your joy.
  Only when you are empty are you at standstill and balanced.
  When the treasure-keeper lifts you to weigh his gold and his silver, needs must your joy or your sorrow rise or fall.
  Verily you are suspended like scales between your sorrow and your joy.
  Only when you are empty are you at standstill and balanced.
  When the treasure-keeper lifts you to weigh his gold and his silver, needs must your joy or your sorrow rise or fall.
  (Kahlil Gibran, The Prophete)

  2022
  7'
  string orchestra
  Fp: Tallinn Chamber Orchestra, conductor Andres Kaljuste; April 24, 2022, Tallinn House of Blackheads, Estonian Music Days
  Commissioned by: Estonian Music Days
  

WORKS FOR ENSEMBLE

Duos

• Airflow from Two

  2013
  3'
  flute, violin
  Fp: Ilja Gussarov (flute), Indrek Palu (violin); May 8, 2013, Estonian Academy of Music and Theatre Organ Hall
  

Trios

• Flutterings [Värelused]

  2022
  kannel, harp, harpsichord
  Fp: Ensemble Una Corda; November 3, 2022, Tallinn Great Guild Hall
  
• Airflow from Three

  Version of "Airflow from Two" (2013)
  2015
  3'
  flute, clarinet, cello
  Fp: Marion Aruvee (flute), Margus Parind (clarinet), Ruslan Petrov (cello); October 1, 2015, Oskar Luts Palamuse Gymnasium, Jõgevamaa county
  

Quartets

• 12-Tone Metallic Hallucination

  2021
  8'
  guitar quartet
  Fp: Tallinn Guitar Quartet; September 11, 2021 Pärnu St. Elizabeth's Church, September 15, 2021 Tartu St. John's Church
  
• Transparent

  2019
  6'
  flute, clarinet, trumpet, French horn
  Fp: Ensemble der Jungen Deutschen Philharmonie, conductor Corinna Niemeyer; September 26, 2019, Comoedienhaus Wilhelmsbad, Hanau, Germany
  Commissioned by: Junge Deutsche Philharmonie
  
• Irregular Pearl IV [Ebakorrapärane pärl IV]

  2015
  9'
  percussion (4 players)
  Fp: Felix Stachelhaus, Tiit Joamets, Ivo Lain, Kaspar Ernesaks; November 29, 2016, Kumu Art Museum
  
• Irregular Pearl I [Ebakorrapärane pärl I]

  2011
  3'
  4 flutes
  Fp: Eva-Maria Eller (flute), Anna Kelder (flute), Linda Kelder (flute), Ilja Gussarov (flute); November 8, 2011, Estonian Academy of Music and Theatre Chamber Hall, Autumn Festival of the Estonian Academy of Music and Theatre
  
• Irregular Pearl II [Ebakorrapärane pärl II]

  2011
  6'
  4 flutes
  Fp: Eva-Maria Eller (flute), Anna Kelder (flute), Linda Kelder (flute), Ilja Gussarov (flute, alto flute); November 8, 2011, Estonian Academy of Music and Theatre Chamber Hall, Autumn Festival of the Estonian Academy of Music and Theatre
  

Quintets

• Veil of Sounds [Helide kardin]

  • Audio

  • Veil of Sounds / Ensemble Fractales

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  2019
  13'
  flute/piccolo, clarinet/bass clarinet, violin, cello, piano
  Fp: Ensemble Fractales; November 2, 2019, Tartu University Museum, November 3, 2019, Tallinn, Estonian History Museum, Great Guild Hall, International Contemporary Music Festival Afekt
  Commissioned by: International Contemporary Music Festival Afekt
  
• Adapt to the Prevailing Stream And Become Able to See Clearly

  • Audio

  • Adapt to the prevailing stream and become able to see clearly / Ensemble Schallfeld

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  2017
  13'
  flute, clarinet, piano, violin, cello
  Fp: Ensemble Schallfeld; October 30, 2017 Tartu, Genialistide Klubi, October 31, 2017 Tallinn, Vaba Lava, International Contemporary Music Festival Afekt
  Commissioned by: International Contemporary Music Festival Afekt
  
• Irregular Pearl III [Ebakorrapärane pärl III]

  • Audio

  • Ebakorrapärane pärl III / Ensemble U:

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  2014
  7'
  flute, clarinet, violin, cello, piano
  Fp: Uusinta Ensemble; September 27, 2014, 1st Studio of the Estonian Public Broadcasting
  

Sextets

• Underground [Maaalune]

  Marianna Liik: „The impulse for this piece came from the underground defence facilities in Tahkuna, Hiiumaa (an island off the coast of Estonia), where I have sometimes gone to record sounds as well. I am fascinated by the acoustic world where one can hear all sorts of sound reflections and mystical soundscapes without any electronics. Over there, no sound impulse remains unanswered. Reciprocal communication may develop in ways one could not have imagined.“

  2024
  10'
  flute, clarinet, percussion, piano, violin, cello, electronics
  Fp: Ensemble U:, Tamo Sumera (audio engineer); May 4, 2024, University of Tartu, Museum of Natural History, Estonian Music Days
  Commissioned by: Estonian Music Days
  

Works for large ensemble (8+)

• 3 spins

  2021
  8'
  bass clarinet, trumpet, tuba, percussion, piano, violin, viola, cello
  Fp: Ensemble Musikfabrik, conductor Clement Power; October 23, 2021, Noblessner Foundry, Tallinn, International Contemporary Music Festival AFEKT
  

WORKS FOR SOLO INSTRUMENT

Works for harp

• Miniature [Miniatuur]

  2014
  3'
  harp
  Fp: Eda Peäske (Celtic harp); December 1, 2014, Kloostri Ait, Tallinn
  

VOCAL AND CHORAL MUSIC

Works for mixed choir and instrument(s)

• Playthings

  • Video

  2023
  10'
  saxophone quartet, mixed choir
  Text: Rabindranath Tagore (in English)
  Fp: Raschèr Saxophone Quartet, Chamber Choir Collegium Musicale, conductor Endrik Üksvärav; December 16, 2023, Tallinn School of Music and Ballet
  Commissioned by: Collegium Musicale
  

Works for voice(s) and other instrument(s)

• Red Aspen Leaf [Punane haavaleht]

  • Audio

  • Red Aspen Leaf / Anna Mishina (vocal), Iris Oja (vocal), Olga Voronova (violin), Leho Karin (cello), Diana Liiv (piano), Petri Piiparinen (percussion)

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  2017
  8'
  2 voices, violin, cello, piano, percussion
  Text: Mari poet Tatyana Otcheyeva
  Fp: Anna Mishina (vocal), Iris Oja (vocal), Olga Voronova (violin), Leho Karin (cello), Diana Liiv (piano), Petri Piiparinen (percussion); February 19, 2017, Estonian Open Air Museum, Tallinn
  Commissioned by: MTÜ Kammermuusikud
  

Works for mixed choir a cappella

• Psalm 38, 39

  Psalm 38, 39 (2020/2024)
  
  Marianna Liik: „The measure of a day in our lives is a tiny, insignificant moment in the flow of time. On the other hand, “Even the very hairs of your head are all numbered” (Matthew 10:30). These are parameters that apply for all of us. To understand our importance, yet not try to be or seem something more than we are. Not to waste life but to cherish it, because when zooming into the flow of time, you see and create the value of this empty moment that you focused on. The first ideas for this composition came into being in 2018, when I was a composer in residence in Morelia, Mexico. Some sounds that can be heard in the electronic part have been recorded there. I completed the first version in 2020 and I heard a performance of it in the summer of 2023. Since then I have altered the piece and this is the premiere of the new version.“
  
  (Text from the booklet of Estonian Music Days 2024)
   

  2020/2024
  15'
  mixed choir, electronics
  Text: Psalm 38 ja 39 (in English)

  Psalm 38
  There is no soundness in my flesh because of thine anger; neither is there any rest in my
  bones because of my sin.
  For mine iniquities are gone over mine head: as an heavy burden they are too heavy for
  me.
  My wounds stink and are corrupt because of my foolishness.
  I am troubled; I am bowed down greatly; I go mourning all the day long.
  For my loins are filled with a loathsome disease: and there is no soundness in my flesh.
  I am feeble and sore broken: I have roared by reason of the disquietness of my heart.
  My heart panteth, my strength faileth me: as for the light of mine eyes, it also is gone from
  me.
  For I will declare mine iniquity; I will be sorry for my sin.
  Forsake me not, O Lord: O my God, be not far from me.
  Make haste to help me, O Lord my salvation.
  
  Epilogue: Psalm 39
  Lord, make me to know mine end, and the measure of my days, what it is: that I may
  know how frail I am.
  Verily every man at his best state is altogether vanity.
  Surely every man walketh in a vain shew: surely they are disquieted in vain: he heapeth up
  riches, and knoweth not who shall gather them.
  Truly, every man is but breath.
  
  (King James Version Bible)
   

  
  Fp: Solists Marie Roos, Laura Štoma (sopranos), Annely Leinberg, Cätly Talvik (altos), Raul Mikson (tenor), Miguel Gonçalves Silva (tenor), readers Henry Tiisma and Kristel Marand, Estonian Philharmonic Chamber Choir, conductor Mai Simson; May 3, 2024, Tartu St Paul's Church, Estonian Music Days
  
• Psalm 38, 39

  2023
  13'
  mixed choir, electronics
  Fp: Chamber Choir Collegium Musicale, conductor Endrik Üksvärav; June 3, 2023, Kärdla Church, "Estonian Music Celebration on Hiiumaa. Rudolf Tobias 150"
  Commissioned by: Estonian Philharmonic Chamber Choir
  
• Veereb, kuhu tahab

  2016
  12'
  mixed choir
  Text: Listeners' comments on composer's works
  Fp: Collegium Musicale, conductor Endrik Üksvärav; November 29, 2016, Kumu Art Museum, Tallinn
  
• Friendship [Sõprus]

  Dedicated to the mixed choir Noorus
  2015
  5'
  mixed choir
  Text: Marie Under
  Fp: Mixed Choir Noorus, conductor Maarja Helstein; December 1, 2015, Kuusalu Community House
  Commissioned by: Mixed Choir Noorus
  
• Quips [Kilde]

  2015
  5'
  mixed choir
  Text: Juhan Liiv
  Fp: Mixed Choir Noorus, conductor Maarja Helstein; February 17, 2015, Kloostri Ait, Tallinn
  
• Luule kui valusõna

  2012
  3'
  mixed choir
  Text: Doris Kareva
  Fp: Chamber Choir Collegium Musicale, conductor Endrik Üksvärav; June 3, 2023, Kärdla Church, “Estonian Music Celebration on Hiiumaa. Rudolf Tobias 150”
  
• Sa võtad mu lahti

  2012
  3'
  mixed choir
  Text: Doris Kareva
  Fp: Chamber Choir Collegium Musicale, conductor Endrik Üksvärav; June 2, 2023, Kärdla Church, “Estonian Music Celebration on Hiiumaa. Rudolf Tobias 150”
  
• Song of David No. 4 [Taaveti laul nr. 4]

  • Video

  2012
  5'
  mixed choir
  Text: Song of David No. 4 (in Estonian)
  Fp: Vox Eximus, conductor Janne Fridolin; April 4, 2013, Estonian Academy of Music and Theatre Chamber Hall, Estonian Music Days Festival
  

Works for girls’ choir a cappella

• Läbi öö läheb päevade rada

  • Audio

  • Läbi öö läheb päevade rada / Tallinn Music High School Youth Choir, conductor Ingrid Kõrvits

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  2018
  6'
  girls' choir
  Text: Doris Kareva
  Fp: Tallinn Music High School Youth Choir, conductor Ingrid Kõrvits; April 7, 2018, Estonian Radio 1st Studio, Tallinn Music Week
  Commissioned by: Estonian Choral Association
  

ELECTRONIC, ELECTRO-ACOUSTIC AND MULTIMEDIA WORKS

• Underground [Maaalune]

  Marianna Liik: „The impulse for this piece came from the underground defence facilities in Tahkuna, Hiiumaa (an island off the coast of Estonia), where I have sometimes gone to record sounds as well. I am fascinated by the acoustic world where one can hear all sorts of sound reflections and mystical soundscapes without any electronics. Over there, no sound impulse remains unanswered. Reciprocal communication may develop in ways one could not have imagined.“

  2024
  10'
  flute, clarinet, percussion, piano, violin, cello, electronics
  Fp: Ensemble U:, Tamo Sumera (audio engineer); May 4, 2024, University of Tartu, Museum of Natural History, Estonian Music Days
  Commissioned by: Estonian Music Days
  
• Second Life [Teine elu]

  Marianna Liik: “Second life is based on my 2016 piece ReCycling, for a varioola for four hands, where the instrument could be heard in live performance. The varioola is an electronic instrument with exciting sonic possibilities, designed by electronic engineer Anatol Sügis and sound director Heino Pedusaar in Tallinn in 1955– 1959. Thanks to the varioola samples created by Margo Kõlar, this unique instrument has been given a new life in the form of samples. In this piece, the musicians of the Estonian Electronic Music Society enter into a dialogue with a varioola acting as soloist.”
  
  (Text from the booklet of Estonian Music Days 2023)

  2023
  17'
  electronics
  Fp: Ensemble of the Estonian Electronic Music Society; April 30, 2023, Kanuti Gildi SAAL, Tallinn, Estonian Music Days
  Commissioned by: Estonian Music Days
  
• Thirsteth for Light [Januneb valgust]

  • Audio

  • Thirsteth for Light / Riivo Kallasmaa (oboe), Gleb Pyšniak (cello), Ulla Krigul (organ)

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  2020
  14'
  oboe, cello, organ, fixed media
  Fp: Riivo Kallasmaa (oboe), Gleb Pyšniak (cello), Ulla Krigul (organ); July 14, 2020, Tartu St. John's Church, Glasperlenspiel Festival
  Commissioned by: Glasperlenspiel Festival
  
• Gate [Värav]

  Soundscape
  2018
  5'
  Fp: July 14, 2019, Tartu Bridge Kaarsild, festival "Glasperlenspiel"
  
• On a Forest Path [Metsateel]

  • Audio

  • On a Forest Path / Marianna Liik (electronics), Eva Koldits (text)

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  Sound installation on the basis of Artur Kapp's solo song
  2018
  9'
  electronics
  Fp: Concert seires "HELIjaKEEL", May 12, 2018 Tartu Cuty Museum, May 13, 2018 Tallinn Teachers' House
  
• Out of Breath

  2018
  8'
  violin, cello, electronics
  Fp: Arvo Leibur (violin), Aare Tammesalu (cello), Marianna Liik (electronics); December 2, 2018, Turin, Borgo Medievale, Italy
  Commissioned by: Loovüksus NPO
  
• A Pattern Filled with Sounds and Pauses [Helide ja pausidega täidetud muster]

  The installation builds on the recorded sounds of various deinstallments of theatre sets. When arranging these sounds into a sound space, a pattern filled with sounds and pause develops. What a world one can discover while arranging a few sounds into silence… What a world one can find while being alone…

  Sound installation
  2017
  Fp: The Estonian Actors' Union's 100th-anniversary exhibition in the Estonian Theatre and Music Museum, April 4, 2017 - September 3, 2017
  Commissioned by: Estonian Music Days Festival
  
• Concerto for Cello and Electronics [Kontsert tšellole ja elektroonikale]

  2016
  21'
  cello, electronics
  Fp: Aare Tammesalu (cello), Marianna Liik (electronics); June 6, 2016, Casa naţionalităţilor, Chișinău, Moldova, festival Zilele Muzicii Noi
  Commissioned by: Loovüksus NPO
  
• Insights to Time and Space [Sissevaated aega ja ruumi]

  2016
  9'
  electronics
  Fp: May 20, 2016; Wroclaw, Narodowe Forum Muzyki, Poland, festival Tauron Musica Electronica Nova
  
• ReCycling

  • Audio

  • Recycling / Kirke Karja and Kristjan Randalu (variola), Marianna Liik (electronics)

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  In order to make composing music connect with sustainable ways of living, it is essential to entirely use up and recycle the musical material at hand. When working with a motive, figure, or timbre, it is important to come up with as many modes of manifestations, variations, and developments as possible. The foundational musical material for ReCycling are the scales and chords based on the overtone scale of the note D. I have explored ways how to apply an overtone scale on a revived instrument – the varioola.
  
  Marianna Liik
  (text from the booklet of Estonian Music Days 2016)
  

  2016
  17'
  varioola (two players), live electronics
  Fp: Kirke Karja and Kristjan Randalu (variola), Marianna Liik (electronics); April 14, 2016, National Library of Estonia, Main Conference Hall, Estonian Music Days
  
• On the Borderline Between Chaos and Order

  • Audio

  • On the Borderline Between Chaos and Order / Arvo Leibur (violin), Harry Traksmann (violin), Toomas Nestor (viola), Johanna Vahermägi (viola), Aare Tammesalu (cello)

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  2015
  13'
  2 violins, 2 violas, cello, electronics
  Fp: Arvo Leibur (violin), Maano Männi (violin), Toomas Nestor (viola), Helena Altmanis (viola), Aare Tammesalu (cello); July 16, 2015, Mustjala Anna Church, Mustjala Festival
  Commissioned by: Mustjala Festival
  
• People That Lost Themselves [Inimesed, kes iseenese ära kaotasid]

  • Audio

  • People That Lost Themselves / Laura Remmel (vokaal), Theodor Sink (tšello), Siimeon Liik (live-elektroonika)

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  2014
  15'
  voice, cello, electronics
  Text: Juhan Liiv
  Fp: Laura Remmel (vocal), Theodor Sink (cello), Siimeon Liik (live electronics); March 28, 2014; Tallinn House of Blackheads, Tallinn Music Week/Estonian Music Days Festival
  
• Postlude [Postluudium]

  • Audio

  • Postlude / Siimeon Liik (electronics)

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  2014
  6'
  electronics, quadraphonic sound
  Fp: Siimeon Liik (electronics); March 28, 2014, Tallinn House of Blackheads, Tallinn Music Week/Estonian Music Days Festival
  
• Forest [Mets]

  • Audio

  • Forest / Malle Maltis (electronics)

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  2013
  8'
  electronics, 6.1 surround sound system
  Fp: April 4, 2013, Estonian Academy of Music and Theatre Chamber Hall, Estonian Music Days Festival
  
• Wending [Kulgemine]

  Kulgemine (Wending)
  
  Aimlessly or with aim, weightlessly or with both feet on the ground, restlessly or within primal breathing I wend, without noticing that I was  in wending.

  2012
  12'
  piano, fixed media, live electronics
  Fp: Mari Visnapuu (klaver), Marianna Liik (live elecronics); September 27, 2012, Estonian Academy of Music and Theatre Chamber Hall, Autumn Festival of the Estonian Academy of Music and Theatre
  

MUSIC FOR CHILDREN

Instrumental works for children

• Dream [Unenägu]

  The piece was written for the XV Rudolf Tobias competition for piano students for the age group 11-13 years.
  2022
  2'
  piano
  Fp: Participants of the XV Rudolf Tobias competition for piano students ; May 22, 2023, Käina Culture Centre, Hiiumaa
  

INCIDENTAL MUSIC

Film music

• Music for short film "Contrast"

  Directed by Carmen Büchner. Competing work at the festival of music and sound in film SoundTrack_Cologne 11
  2014
  

Music to plays

• Music for Juhan Smuul's play "Lea"

  2022
  Fp: February 19, 2022, Kuressaare Theatre, stage director Elar Vahter
  
• Music for docymentary performance-journey "Põlevkiviõli" ("Shale Oil")

  2021
  Fp: July 20, 2021, (Kiviõli Chemistry Industry, stage director Elar Vahter, festival PurFest
  
• Music for University of Tartu Viljandi Culture Academy graduates' play "100 M More" [Muusika Tartu Ülikooli Viljandi Kultuuriakadeemia 12. lennu diplomilavastusele "100 M More"]

  2019
  Fp: May 9, 2019, Tartu Uus Teater, stage director Elar Vahter