Liisa Hirsch

WORKS FOR THE STAGE

Musical and/or drama and/or dance works for stage

• Music for dance performance "Taivaltajat"

  2014
  40'
  phonogram
  Fp: August 15, 2014, Generaattori, Kajaani, Finland; choreography and dancers Nadja Pärssinen and Anna Venäläinen, light designer Riku Elo
  
• Music for dance performane "Kaleidoscope. Level" [Muusika liikumisetendusele "Kaleidoskoop. Tasand"]

  2014
  45'
  phonogram, live elctronics
  Fp: July 13, 14, and 15, 2014, Tower of Tartu St. John's Church, Glasperlenspiel Festival. Directors and choreographers Helena Krinal and Madli Teller, light design by Reelika Palk, costumes by Maria Karm, dancers (Just Tantsukool)
  

WORKS FOR ORCHESTRA

Works for symphony orchestra

• Threshold [Lävi]

  • Audio

  • Threshold / Estonian National Symphony Orchestra, conductor Kristiina Poska

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  “Threshold”
  
  The sound environment of this piece is made up by quiet sounds – unison and twelve chords. All of these chords, however, in a traditional sense sound out of tune since they all consist of quarter tones. These chords are organized in a symmetrically increasing order and will build on all the steps of the scale starting with unison and ending with octave. A special playing technique on strings, which muffles the sound quite a bit as well as alters its timbre and pitch, creates an unpredictable harmonic structure for the piece. The chords will grow wider and the sounds become more audible and form unexpected sound combinations. In the second half of the piece there is suddenly the entire spectrum of all chords, from which the conductor filters out chords ad libitum and alternates between different sounding chords. As a result, a short-lived and unique sound environment forms until the journey of the chords will return to quiet unison.
  In psychology, a threshold stands for the weakest stimulus that can be detected for the sensation. In physics, a threshold is defined as an entity or intensity that is necessary for a specific reaction, phenomenon or result to be expressed.
  
  Liisa Hirsch

  2017
  10'
  symphony orchestra
  Fp: Estonian National Symphony Orchestra, conductor Kristiina Poska; April 7, 2017, Estonia Concert Hall, Estonian Music Days
  
• Mechanics of Flying

  2016
  13'
  symphony orchestra: 2222, 2230, percussion (vibraphone, marimba, tam-tam), strings
  Fp: Estonian Music and Theatre Symphony Orchestra, conductor Paul Mägi; August 31, 2016, Berlin Konzerthaus, Young Euro Classic Festival
  

Works for string orchestra

• Canvas [Lõuend]

  • Audio

  • Canvas / Tallinn Chamber Orchestra, conductor Risto Joost

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  2019
  10'
  string orchestra
  Fp: Tallinn Chamber Orchestra, conductor Risto Joost; May 5, 2019, Tallinn, House of Blackheads, World Music Days 2019
  Commissioned by: Estonian Music Days/World Music Days
  

WORKS FOR SOLO INSTRUMENT(S) AND ORCHESTRA

Works for violin and orchestra

• Ascending... Descending

  • Audio

  • Ascending… Descending / Triin Ruubel (violin), Tallinn Chamber Orchestra, conductor Atvars Lakstigala

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  Ascending ...Descending
  
  I aimed at finding a slightly different relationship between a solo violin and an orchestra in this piece than a classical soloist-accompanist relationship. The first part Ascending is more like an introduction. It consists of three very slowly ascending glissando clusters, forming harmonies on a relatively unknown microtonal territory. In the first part, the solo violin acts like a goal-keeper whose task is to create space for concentration and plays always the lowest sound, a fundamental tone that the other lines depart from.
  
  The second part, Descending is made of orchestra glissandi, descending in mathematical proportions and accelerating with every new cycle. While the movement speeds up, direction becomes more important than harmony or timbre. The solo violin repeats or initiates sounds, forming in the orchestral tissue, bringing to foreground the harmony blurred by the glissandi. It also gives the orchestra impulses to proceed to next chord.
  
  In the last part the whole orchestra part creates itself on the spot, reacting to the soloist’s impulses. There is no virtuosity in the solo, I was rather interested in the power of concentration and the string sound per se is a complex phenomenon.
  
  Liisa Hirsch

  2015
  14'
  solo violin, string orchestra
  Fp: Triin Ruubel (violin), Tallinn Chamber Orchestra, conductor Atvars Lakstīgala; April 12, 2015, 1st studio of Estonian Public Broadcasting, Estonian Music Days Festival
  Commissioned by: Estonian Music Days Festival
  CD „New Estonian Orchestral Music“, Estonian Music Information Centre (2017); Triin Ruubel (violin), Tallinn Chamber Orchestra, conductor Atvars Lakstīgala
  

WORKS FOR ENSEMBLE

Duos

• Flowings

  • Video

  2020
  9'
  2 pianos
  Fp: Piano duo Maila Laidna & Tiiu Sisask; October 27, 2020, Estonian Academy of Music and Theatre Concert Hall
  
• Cloud Tones

  2015
  10'
  viola, piano
  Fp: Nikolaus Schlierf (viola), Liisa Hirsch (piano); August 27, 2015, St. Wenceslas Church, Ostrava Days 2015, Ostrava, Czech
  
• Page One

  2003
  3'
  2 pianos
  

Trios

• Cloud Tones

  • Audio

  • Cloud tones / Jaanus Siniväli (double bass), Liisa Hirsch (piano glides), Monika Mattiesen (bass flute)

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  2015/2017
  12'
  bass flute, double bass, piano
  Fp: Monika Mattiesen (bass flute), Jaanus Siniväli (double bass), Liisa Hirsch (piano); October 30, 2017, Tallinn, Vaba Lava, International Contemporary Music Festival Afekt
  
• Dynamics of Contact

  2017
  violin, viola, cello (Baroque instruments)
  Fp: Ensemble Nordic Affect; October 21, 2017, STUK Arts Centre, Leuven, Belgium, Transit Festival
  

Quartets

• Us… and Them…

  Us… and Them…
  
  As I studied the recordings of various wolf howls from my analytical composer’s perspective while knowing nothing about the interaction between animals, I quickly learned that sensing each other’s presence through songs or voices, and the power or intimacy such a common experience creates is familiar both to people and the loneliest wolf cub. I viewed the spectral track of two different wolf packs and found fascinating musical references in the howling ensembles of the pack members. For example, in one of my recordings, the alpha established a specific pitch, the next wolf joined by sliding downwards, the third by sliding upwards and together they reached a pulsating unison that resounded throughout the woods – only to begin the next similar sequence. This pitch was also picked up on the other side of the forest and so they kept answering each other in this multi-choral manner for three minutes. While the pulsating unison might amplify the sound and give the impression that the number of wolves is greater, without the purpose of claiming territory the wolves’ bodies release happiness hormones and strengthen the ties within the pack.
  
  These three pieces put the expressive techniques of classical music into a somewhat extraordinary position: similarly to wolves, the saxophones interact with each other in a temporally flexible manner, choosing and synchronising entrances and listening to the delicate microtonal shades of the unison. Keywords: bioacoustics, echolocation.
  
  Liisa Hirsch

  2020
  15'
  saxophone quartet, phonogram
  Fp: Stockholm Saxophone Quartet; September 17, 2020, virtual concert, Estonian Music Days
  
• Cloud Tones

  Arrangement by ensemble Konzert Minimal
  2015/2017
  2 violas, cello, piano
  Fp: Ensemble Konzert Minimal; October 26, 2017, Kunsthaus KuLe, Berlin
  
• Before the Words [Enne sõnu]

  2006
  5'
  violin, cello, clarinet, piano
  Fp: Maarja Nuut (violin), Helena Tuuling (clarinet), Johannes Teppo (cello), Liisa Hirsch (piano); March 29, 2006, Kadriorg Palace, Estonian Music Days Festival
  

Quintets

• Where They Grow Their Leaves

  2015
  8'
  violin, viola, cello, clarinet, piano
  Fp: Internationale Stichting Masterclass Apeldoorn: Margot Kolodziej (violin), Joe Nicholls (viola), Anastasia Feruleva (cello), Jelmer de Moed (clarinet), Ivan Penkov (piano); August 30, 2015, Schouwburg Orpheus, Apeldoorn, Netherlands
  

Sextets

• Earth Veins

  • Audio

  • Earth Veins / Katariin Raska, Ulvi Võsa, Karolin Vetevoog, Kaisa Kuslapuu, Mari Meentalo, Kerli Kislõi

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  Earth Veins
  
  Liisa Hirsch: “I usually avoid descriptive titles and in this one my aim was to evoke something more abstract: be it lines of force or a forgotten contact with the earth, the essential point of support. Or perhaps the earth veins of the title can be seen as types of paths going up or down, and their resonant intersections? The harmonies of the piece are hidden in the glissandos of the bagpipe, in the microtonal distances and oscillations. The overtones that accompany this kind of playing technique are a little different each time and create different listening possibilities. Following the events of last February, the earth once again showed its destructive power, the effects of which are certainly echoed in this work.”

  2023
  12'
  6 bagpipes
  Fp: Bagpipe ensemble (Katariin Raska, Ulvi Võsa, Karolin Vetevoog, Kaisa Kuslapuu, Mari Meentalo, Kerli Kislõi); May 1, 2023, Tallinn Swedish St. Michael's Church, Estonian Music Days
  Commissioned by: Estonian Music Days
  
• Traces [Jäljed]

  VR video by Rein Zobel
  2018
  flute, clarinet, piano, percussion, violin, vello, VR video
  Fp: Ensemble U:; November 8, 2018, Estonia Concert Hall, Tallinn
  
• 4 Glides

  2017
  15'
  clarinet, violin, viola, cello, double bass, piano, video
  Fp: Ensemble for New Music Tallinn; October 6, 2018, Tallinn Great Guild Hall, festival "Sound Plasma"
  
• Hermine's Tango [Hermine tango]

  music from the play "Night of Souls" (Endla Theatre)
  2009
  3'
  2 violins, viola, cello, double bass, piano
  Manuscript

Works for large ensemble (8+)

• Soluted Harmonics

  2021
  flute, oboe, clarinet, saxophone, percussion, synthesizer, violin, viola, cello
  Fp: ensemble mosaik, conductor Enno Poppe; September 26, 2021, St. Elisabeth Kirche, Berlin, Germany
  
• Autarkes

  2020
  instrumental ensemble (10 musicians)
  Fp: Ensemble Musikfabrik, conductor Enno Poppe; October 21, 2020, Cologne Philharmony, Germany, festival Acht Brücken
  Commissioned by: Festival Afekt
  
• Fields [Väljad]

  2018
  2 wind quintets
  Fp: Wind Quintet Estica, Vanemuine Wind Quintet; July 4, 2018, Tallinn-Väike depot
  
• Installation for B-House [Installatsioon B-majale]

  • Video

  2016
  36 pianos and other instruments
  Fp: November 12, 2016, Tallinn Music High School, 55th Birthday concert of Tallinn Music High School
  
• Four Glides

  2015
  16'
  2 trumpets, 2 trombones, 2 violins, viola, double bass, projection
  Fp: S.E.M Ensemble; December 19, 2015, Paula Gooper Gallery, New York
  
• 4 Glides for Eleven

  2014
  8'
  violin, cello, double bass, clarinet, 2 bass clarinet, French horn, trombone, piano
  Fp: April 23, 2014, The Royal Conservatory of The Hague, Spring Festival
  
• Marie uni [Marie uni]

  music from the play "Noght of Souls" (Endla Theatre)
  2009
  3'
  flugelhorn, 2 violins, viola, cello, double bass, harp, piano
  

WORKS FOR SOLO INSTRUMENT

Works for piano

• Page One

  Listen: Soundcloud

  2003/2023
  3'
  piano
  
• Quantum Well

  • Video

  Quantum Well
  
  The piano is tuned with several sizes of clothes pegs in such a manner that prepared strings are lowered to sounding almost in unison with unprepared strings. This creates beatings and timbral interplay within an otherwise thin harmonious space. To enhance some rhythmic randomness in the ‘atomic landscape’ of this piece, the pianist is asked to play as softly and as fast as possible, so that the strings are barely touched by the hammers and sometimes not activated at all. The form is kept simple, consisting of directional phrases in different sizes. As I was looking for a title, a friend suggested a term ‘quantum well’ from physics that inspired me further to see this timbral play in a new light: ‘The classic model used to demonstrate a quantum well is to confine particles, which were initially free to move in three dimensions, to two dimensions, by forcing them to occupy a planar region.’ (Wikipedia)
  
  Liisa Hirsch

  2020
  9'
  prepared piano
  Fp: Robert Fleitz (prepared piano); Concours international de piano d'Orléans, digital 1st round, september 2020
  FpEst: Kadri-Ann Sumera (prepared piano); November 20, 2020, Tallinn House of Blackheads, festival Sound Plasma
  Commissioned by: Robert Fleitz
  CD „New Estonian Chamber Music“, Estonian Music Information Centre (2021); Robert Fleitz (piano)
  
• Terrains

  • Video

  “Terrains” is written for two differently tuned pianos and one pianist. The music uses gentle repetition where very low dynamics cause rhythmic irregularity: some sounds bounce back from the surface, others don’t. The instruments have been tuned in such manner that one major third rooms twelve tones. As a result, kind of similar sounds carry different timbral shades, thereby creating vibrating frequencies. The pianist is at the same time the player and the first listener. As in a few of my previous works, this composition largely functions as a continuous process, this time as a downward movement. The piece was written for my good friend Kadri-Ann Sumera.
  
  Liisa Hirsch

  2018
  13'
  for two pianos and one pianist
  Fp: Kadri-Ann Sumera (pianos); April 14, 2018, Tallinn House of Blackheads, Estonian Music Days Festival
  
• Old Piano [Vana klaver]

  piece from the film „The House of Memories“
  2008
  2'
  piano
  
• Der Kleine Künstler (Little Painter) [Der Kleine Künstler (Little Painter)]

  2006
  piano
  Manuscript
• Vseva's Light

  • Video

  2006
  4'
  piano
  Fp: Vsevolod Pozdejev (piano); October 5, 2006, Estonian Academy of Music and Theatre Chamber Hall, Autumn Festival of the Estonian Academy of Music and Theatre
  
• De noche… solo di sed

  2004
  3'
  piano
  Manuscript

VOCAL AND CHORAL MUSIC

Works for mixed choir and orchestra

• Wings

  • Audio

  • Wings / Estonian Philharmonic Chamber Choir, Elblag Chamber Orchestra, conductor Marek Mos

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  2016
  14'
  4 ensembles (each consists of five string insrtuments and three singers)
  Text: phonemes
  Fp: Estonian Philharmonic Chamber Choir, Elblag Chamber Orchestra, conductor Marek Moś; October 21, 2016, Tartu St. John Church, International Contemporary Music Festival Afekt
  Commissioned by: International Contemporary Music Festival Afekt
  

Works for male choir and instrument(s)

• Hing, hingeke

  2024
  male choir, singing bowls
  Text: Jaan Kaplinski
  Fp: Estonian National Male Choir, Karl Nieler (singing bowls), conductor Mikk Üleoja; August 18, 2024, Põlva St. Mary’s Church, Celebration of the Heavenly Grounds
  

Works for voice(s) and instrument(s)

• Brautigan Circles

  2015
  2 sopranos, mezzo-soprano, tenor, bass, large ensemble: piccolo, flute, clarinet, 2 soprano saxophones, French horn, trumpet, 2 trombones, tuba, electric guitar, bass guitar, piano, percussion
  Text: Richard Brautigan
  Fp: Orkest de Ereprijs, conductor Wim Boerman; February 27, 2015, Apeldoorn, The Netherlands
  

Works for voice(s) and other instrument(s)

• Kaduvad kajad

  • Audio

  • Kaduvad kajad / Virgo Veldi (saxophone), Iris Oja (mezzo soprano), Hans Christian Aavik (violin), Theodor Sink (cello)

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  2024
  12'
  alto saxophone, voice, violin, cello
  Fp: Virgo Veldi (saxophone), Iris Oja (mezzo soprano), Hans Christian Aavik (violin), Theodor Sink (cello); March 27, 2024, Estonian Academy of Music and Theatre Concert Hall
  
• 4 Glides for Five

  • Audio

  • 4 Glides for Five / Ensemble Figura

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  2014
  10'
  soprano, clarinet, piano, viola, double bass
  Text: without text
  Fp: Figura Ensemble and Garth Knox (viola); June 5, 2014, Tartu St. John's Church, Estonian Composers' Festival
  
• Ojos de perro azul [Sinise koera silmad]

  2010
  21'
  mezzo-soprano, flute, 2 kannels, cello, readers (male and female voice from phonogram)
  Text: After Gabriel Garcia Marquez's short story (in Estonian)
  Fp: Ensemble Resonabilis, voices on phonogram: Iris Oja, Rain Simmul; March 21, 2012, Hobuveski, Estonian Music Days Festival
  

Works for mixed choir a cappella

• Lines

  2017
  mixed choir, phonogram
  Fp: Estonian Philharmonic Chamber Choir, conductor Kaspars Putniņš; October 27, 2017, Tallinn House of Blackheads, festival "Üle heli"
  
• Miracle of Vanishing Manifests Itself in Turning the Kaleidoscope [Ilmutab kaleidoskoobi pööramisel kadumise ime]

  2014
  mixed choir
  Text: vocalise
  Fp: Tallinn Music High School Chamber Choir, conductor Janne Fridolin; April 23, 2014, Tallinn Methodist Church
  Commissioned by: Estonian Choral Association, Estonian Composers' Union
  CD „New Estonian Choral Music 2012–2014“, Estonian Choral Association (2014); Chamber Choir of Tallinn Music High School, conductor Janne Fridolin
  

Works for male choir a cappella

• Restless

  • Audio

  • Restless / Estonian National Male Choir, conductor Mikk Üleoja

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  2012
  8'
  male choir
  Text: on the basis of Herman Hesse (in English)
  Fp: Estonian National Male Choir, conductor Mikk Üleoja; November 22, 2012, Tallinn Methodist Church
  Commissioned by: Mikk Üleoja, State Concert Institute Eesti Kontsert
  
• Shadow [Vari]

  2012
  4'
  male choir
  Text: Juhan Liiv
  Fp: Estonian National Male Choir, conductor Kaspar Mänd; March 21, Mooste
  Commissioned by: Estonian Song and Dance Celebration Foundation
  

ELECTRONIC, ELECTRO-ACOUSTIC AND MULTIMEDIA WORKS

• Celsius -23˚

  • Video

  2024
  11'
  kannel, harp, harpsichord, electronics
  Fp: Ensemble Una Corda; February 15, 2024 Heino Eller Music School Tubin Hall, Tartu, February 18, 2024 Kadriorg Music School, Tallinn
  
• Kuma

  2018
  mixed choir, electronics
  Fp: Chamber Choir Cappella Amsterdam, conductor Lodewijk van der Ree; February 1, 2019, Utrecht Pieterskerk, Netherlands
  Commissioned by: Cappella Amsterdam
  
• Lines

  2017
  mixed choir, phonogram
  Fp: Estonian Philharmonic Chamber Choir, conductor Kaspars Putniņš; October 27, 2017, Tallinn House of Blackheads, festival "Üle heli"
  

INCIDENTAL MUSIC

Film music

• Music for short film "Räägitakse, et tomatid armastavad rokkmuusikat"

  Directed by Janno Jürgens
  2016
  Fp: September 9, 2016, Cinema Sõprus, Tallinn
  
• Music for short film "Jagata"

  Directed by Daniel Jacoby
  2015
  
• Music for film “Ahold of Get the Things to”

  Directed by Daniel Jacoby
  2014
  Fp: Galerie Antoine Levi, Paris, January 23, 2014
  
• Music for documentary "Child of Nature" [Muusika dokumentaalfilmile "Looduslaps"]

  Directed by Anu Aun, Luxfilm
  2013
  Fp: February 12, 2014, Estonian Television
  
• Music for puppet film „Lemonade Tale“ [Muusika nukufilmile „Limonaadilugu“]

  Directed by Vallo Toomla, Nukufilm
  2013
  
• Music for short film „Elisabeth von Ungern Sternmeer“

  Directed by Vallo Toomla, Baltic Film and Media School
  2011
  
• Music for short film „The Shot“ [Muusika lühimängifilmile „Lask“]

  Directed by Lena Pazilina, Allfilm
  2011
  
• Music for six short dance films "Old Spaces, Living Art" [Muusika kuuele lühikesele tantsufilmile erinevates ajastustes "Old Spaces, Living Art"]

  Directed by Madli Teller,Tallinn - European Capital of Culture 2011 Foundation
  2011
  
• Music for film „Estonian Stories: Being Normal“ [Muusika filmile „Eesti lood: Normaalne inimene“]

  Authors Tanno Mee and Kaidi Tamm, Alexandra Film
  2010
  
• Music for documentary „Doctor Grossmann's Land of the Gods“ [Muusika dokumentaalfilmile „Doktor Grossmanni jumalate maa“]

  Directed by Vahur Laiapea, Ikoon
  2009
  
• Music for film „Eric. A Fire Child“ [Muusika filmile „Eric. Tule laps“]

  Directed by Vahur Laiapea, Ikoon
  2009
  
• Music for short film „The House of Memories“ [Muusika lühifilmile „Mälestuste maja“]

  Directed by Tanno Mee, Baltic Film and Media School, Exitfilm
  2008
  
• Music for documentary „The Border of People“ [Muusika dokumentaalfilmile „Inemiste piir“]

  Directers Aivo Spitsonok and Vahur Laiapea, Ikoon
  2006
  
• Music for documentary „Mission of a Rom“ [Muusika dokumentaalfilmile „Mustlase missioon“]

  Directed by Vahur Laiapea, Ikoon
  Fp: February 19, 2010
  

Music for TV broadcasts and series

• Music for documentary teleplay „A Land Day of One's Own“ [Muusika dokumentaalsele telelavastusele „Oma Maapäev“]

  Directed by Hardi Volmer, Estonian Television
  2007
  Fp: November 28, 2007, Estonian Television
  

Music to plays

• Music for Dance Theatre Fine5 performance "Right Behind Your Eyes" [Muusika tantsuteatri Fine5 lavastusele "Siinsamas silmade taga"]

  2024
  Fp: Dance Theatre Fine5, choreographers and directors: Tiina Ollesk, Renee Nõmmik; November 9, 2024, Sakala 3, Tallinn
  
• Music for children's performance "Vabakava"

  2022
  Fp: April 30, 2022, Vabamu, Tallinn. Author and playwright: Piret Jaaks. Staging and actors: Christin Taul, Tiina Mölder, Helen Reitsnik, Simo Kruusement
  
• Music for Anton Chekhov's play „Three Sisters“ [Muusika Anton Tšehhovi näidendile „Kolm õde“]

  2012
  Fp: February 12, 2012, Estonian Drama Theatre, director Hendrik Toompere jr
  
• Music for Enda Walsh's play „New Electric Ballroom“ [Muusika Enda Walshi näidendile „Uus elektriline tantsusaal“]

  2012
  Fp: October 9, 2012, Estonian Drama Theatre, director Sander Pukk
  
• Music for Halldór Laxness's/Benedikt Erlingsson's play „Iceland’s Bell“ [Muusika Halldór Laxnessi/Benedikt Erlingssoni näidendile „Islandi kell“]

  2012
  voices, kannels, violin, percussion, harmonium
  Fp: August 10, 2012, Estonian Drama Theatre, director Priit Pedajas
  
• Music for play „The King Is Dead“ [Muusika lavastusele „Kuningas sureb“]

  sound installation
  2012
  Fp: February 15, 2012, Theatre R.A.A.A.M. at Kanuti Guild Hall, director Homayun Ghanizadeh
  
• Music for Paul-Eerik Rummo's play „The Cinderella Game“ [Muusika Paul-Eerik Rummo näidendile „Tuhkatriinumäng“]

  2011
  lute, violin, viola, cello, double bass, piano, kannel, electronics
  Fp: August 4, 2011, Estonian Drama Theatre, director Margus Kasterpalu
  Manuscript
• Music for short dance performance „Now“ [Muusika lühikesele tantsuetendusele „Nüüd“]

  2011
  violin, voices, electronics
  Fp: April 28, 2011, Theatre Vanemuine, director Jaan Ulst
  
• Music for Karl Ristikivi's/Herman Hesse's/Margus Kasterpalu's play „Night of Souls“ [Muusika Karl Ristikivi/Herman Hesse/Margus Kasterpalu näidendile „Hingede öö“]

  2009
  2 violins, viola, cello, double bass, piano, harp, flugelhorn, trumpet, trombone, electric organ, voice
  Fp: March 14, 2009, Endla Theatre, director Margus Kasterpalu
  Manuscript
• Music for Mart Kivastik's play „Our Father Which Art“ [Muusika Mart Kivastiku näidendile „Meie isa, kes sa oled“]

  2008
  Fp: May 4, 2008, Tartu Athena Centre, director Margus Kasterpalu
  

ORCHESTRATIONS AND ARRANGEMENTS

• Aestimatus sum

  • Audio

  • Aestimatus sum / Estonian National Male Choir, conductor Mikk Üleoja

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  arrangement of work by Carlo Gesualdo da Venosa
  2012
  5'
  male choir
  Text: evangel
  Fp: Estonian National Male Choir, conductor Mikk Üleoja; November 22, 2012, Tallinn Methodist Church
  
• O vos omnes

  • Audio

  • O vos omnes / Estonian National Male Choir, conductor Mikk Üleoja

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  arrangement of work by Carlo Gesualdo da Venosa
  2012
  5'
  male choir
  Text: evangel
  Fp: Estonian National Male Choir, conductor Mikk Üleoja; November 22, 2012, Tallinn Methodist Church
  
• Plange quasi virgo

  • Audio

  • Plange quasi virgo / Estonian National Male Choir, conductor Mikk Üleoja

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  arrangement of work by Carlo Gesualdo da Venosa
  2012
  6'
  male choir
  Text: evangel
  Fp: Estonian National Male Choir, conductor Mikk Üleoja; November 22, 2012, Tallinn Methodist Church